Am ascultat si eu acel sistem complet Nightingale Simetel in Italia si ceea ce pot spune este ca in articol nu se exagereaza deloc, este remarcabil ! (ca si pretul....). Nu am cum sa-mi dau seama din acel sistem ce poarta meritul maxim ? Boxele open-baffle, amplificatoarele pe tuburi ? Nu stiu, cert este ca suna MUZICA ! Iar asta in ciuda acusticii pe care multi nepriceputi dau vina ca le suna prost sistemul sau sculele. Realitatea e mai simpla, intai de toate trebuie sa ai scule bune sa sune bine si apoi te dai de ceasul mortii cu acustica, fotoliile si perdelele. Oamenii astia au demonstrat-o facand cu adevarat MUZICA intr-o camera amarata, goala si cu gresie chioara pe jos, ca nici macar covor nu aveau! Dar aveau ceva ce nu au altii, scule bune care canta MUZICA ! (si ureche buna sa le faca si sa le potriveasca). Asa ca se pare, chiar si la americani intre rigipsuri americane (audiofile) au impresionat cu sunetul de calitate.Perhaps in part due to the open-baffle design of the Concentus CTR 2 loudspeaker ($10,900/pair), this system created a sonic landscape like no other system I have heard save perhaps for the large mbls. Sonic images were huge, towering, and thrilling. They didn't just appear big; their impact was big, yet appropriate to the music at hand. Mahler's Second Symphony, for example, took on proportions commensurate with its musical import, filling the space between, above, and around the speakers with sound. More than just high and wide, the music seemed to radiate in and through space. I sat there, simultaneously stunned and baffled, trying to figure out what was happening. Whatever was happening, I sure liked it.
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