
Metoda "tine" si in apropierea cercului polar...

asa am invatat si eu de la profesionisti si e foarte adevarat, am vazut poze facute cu acelasi body foto dar cu obiective diferite si diferenta era crunta.atyclb wrote:Fotografii spun ca e mai important ce obiectiv ai montat pe un (D)SLR, decat camera foto in sine.
la ora asta ai dreptate insa eu cred ca in viitorul apropiat monitorul electronic asociat cu anumite automatisme va avea mai multe avantaje decat dezavantaje in buna parte din aplicatiile foto profesioniste si mai ales semi-pro, un sector care e in crestere. Mai degraba cred ca sectorul DSRL mirror va ramane pentru multa vreme insa se va restrange din ce in ce mai mult.atyclb wrote: In plus vizarea direct prin obiectiv e net superioara celei facute pe display, as indrazni sa spun ca diferenta e mai mare decat diferenta intre cd si vinyl.
Târgul de tehnologie din Las Vegas şi-a desemnat cîştigătorii. Produsele care au impresionat cel mai mult şi care vor schimba lumea se vor intoarce acasă cu câte un premiu. Şi câştigătorii sunt...
http://www.adevarul.ro/life/viata/CES_2 ... 37610.html#" onclick="window.open(this.href);return false;Camere foto
Fujifilm X-Pro 1
Cu noul X-Pro 1, primul model mirrorless, cei de la Fujifilm îşi consolidează reputaţia de companie care fabrică aparate foto de calitate. Dresându-se profesioniştilor, camera vine cu mai multe inovaţii, inclusiv un senzor nou. Deşi este “ultimul răcnet”, modelul are un design retro.
http://blog.lytro.com/lytros-story/lear ... /#more-828" onclick="window.open(this.href);return false;Member of Technical Staff Mugur Marculescu loves photography and rarely leaves home without a camera, favoring his Canon 20D paired with an L-series 16-35mm F/2.8 lens (although practicalities sometimes cause him to rely on his cell phone’s camera.) Mugur explains how he took this picture of a squirrel with the Lytro while walking through Union Square during a recent trip to New York:
“This shot is all about timing and the ability to refocus after the picture is taken. Since I didn’t need to worry about adjusting focus, I could focus just on the timing. I knew that if I approached, the squirrel would walk up to me in anticipation of food. The only thing left was to click the shutter button at the correct time. The entire event lasted about 5 seconds and I was able to capture 3 great shots. This is one of those shot opportunities meant for a Lytro.”
Mugur shared this, about his first time shooting with the Lytro:
“You can take a snapshot of anything just like with a regular camera, but to really take advantage of this new medium and create beautiful re-focusable images, you have to start thinking in three dimensions. It took me back to the time I first picked up a camera; it’s as if I was discovering photography for the first time—again.”
… and this, about how using a light field camera is impacting his style and technique:
“I now think about depth in a whole new way. I am constantly looking for layers of objects in a scene, complex three-dimensional shapes, lines and textures leading off into the distance and things like shiny surfaces and water droplets.
The extremely-quick power-up time and unique shape has changed how I shoot street scenes. When walking in a city, moments happen so fast—you have to act very quickly. I am able to take the camera out of my coat pocket, orient it and power it on in one continuous motion that takes about 1 second. The next moment, the shutter will snap without delay. These types of candid shots are nearly impossible with my DSLR—the focus and timing would just fail.”