AUDITII OBISNUITE INTR-O ZI OBISNUITA - RECOMANDARI ALBUME ORICE FORMAT

CD, vinil, concerte
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brighty
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by brighty »

Ascult in casti, la aceasta ora, cateva piese de pe proaspatul album "Wolflight" al lui Steve Hackett (ex-Genesis), chiar astazi aparut in Europa (30.03), la InsideOut Music, si imi place foarte mult ce aud pana acum!! Un progressive rock/metal superb, Steve interpretand si partile vocale. Majoritatea site-urilor de specialitate ii dau peste 4 stele acestui album, pe care abia astept sa il gasesc, cat de curand, si pe la noi!

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momolo
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by momolo »

O piesa cu mult bas! (se asculta din ligheane cu ochii pe osciloscop)

http://www.tare.ro/user-mudfilms/563154 ... -minorilor" onclick="window.open(this.href);return false;
"Tinereţea este o noţiune, biologia un adevăr. Ele împreună dau dimensiunea existenţei"(Geo Bogza)

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momolo
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by momolo »

inca una:

https://www.youtube.com/watch?v=wla50WW ... e=youtu.be" onclick="window.open(this.href);return false;
"Tinereţea este o noţiune, biologia un adevăr. Ele împreună dau dimensiunea existenţei"(Geo Bogza)

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brighty
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by brighty »

momolo wrote:inca una:

https://www.youtube.com/watch?v=wla50WW ... e=youtu.be" onclick="window.open(this.href);return false;
:lol: Canta si Andreea Balan asta toate kkturile, in exact ACELASI stil muzical de acum 15 ani... Aceeasi zumba-zumba usurica, cu cracii desfacuti si cu balcoanele varate ostentativ in gura privitorului, prin ecran, desi a ajuns totusi la 31 de ani, nu mai e chiar... libera la mare! :twisted: :mrgreen:

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brighty
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by brighty »

Poate v-o mai amintiti... Facea furori, prin 1996, cu hitul pop "I Love You Always Forever", aducand aminte multora de mai-cunoscuta Kate Bush. A lansat, tot atunci, si un excelent album, la Atlantic Records, intitulat "Now in a Minute".

https://www.youtube.com/watch?v=hdydipoUjkw" onclick="window.open(this.href);return false;

Donna Lewis s-a intors la genul ei preferat, jazz-ul, si pe 10 Martie a aparut din nou cu un material proaspat, editat de Palmetto Records, titlul sau fiind "Brand New Day".

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Cu ajutorul prietenilor sai David King (tobe), Reid Anderson (bass) si Ethan Iverson (pian) si desigur gratie vocii ei unice, aproape soptita, Donna Lewis ne face intrarea intr-un mediu cald si spectaculos, recunoscand, cu placuta surprindere, cateva cover-uri in maniera personala dupa David Bowie, Neil Young, Damien Rice, Gnarls Barkley, Antonio Carlos Jobim, Chocolate Genius, Burt Bacharach si Harry Nilsson.

Cautati acest album, o sa va placa!

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brighty
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by brighty »

Credeati ca muzica comerciala romaneasca este cea mai proasta de pe Planeta?
Credeati ca nu se poate mai rau decat Alex Velea, Connect-R, Antonia si Ruby??

Va poftesc la o ... auditie de "muzica" pentru testat sistemu' de showroom :lol:

https://www.youtube.com/watch?v=kIc9PtJEw1c" onclick="window.open(this.href);return false;

https://www.youtube.com/watch?v=jcAqAJgeYwM" onclick="window.open(this.href);return false;

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pisiculverde
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by pisiculverde »

Un album rock al naibii de bun:

https://www.youtube.com/watch?v=fFUrnc1IMJg" onclick="window.open(this.href);return false; - Weed - Weed (1971) :shock:
"Music is feeling" - Salvador Sobral

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brighty
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by brighty »

Mi-am amintit, cu putin timp in urma, de o formatie al carei hit din anii '80 (mai precis, 1986) imi gadila frumos urechile. Este vorba de britanicii de la Swing Out Sister si a lor piesa de rezistenta "Breakout", cu care au spart topurile din intreaga lume atunci.

Au pornit la drum in formula de trio: Corinne Drewery (solista vocala) si instrumentistii Andy Connell, respectiv Martin Jackson. De la al doilea album, au ramas numai Corinne impreuna cu Andy, cu toate ca M. Jackson si-a adus un important aport la productia albumului "Kaleidoscope World", el urmand a colabora mai tarziu cu Frank Zappa.

Muzica lor este, in opinia mea, un deliciu sonor, un fel de urban music cu accentuate elemente de jazz, pop, bossanova, foarte buna de a fi ascultata in orice moment al zilei. Vocea catifelata a solistei alaturi de partea orchestrala, exceptional produsa, relaxeaza si au un efect tonifiant asupra ascultatorului. Ma gandeam chiar ca, daca as fi patron de cafenea de fitze :D , as pune numai muzica lor, in surdina, cat e ziua de lunga!

Culmea e ca, desi au avut un succes deloc de ignorat la debut, pe parcurs europenii si americanii si-au pierdut interesul pentru SOS, muzica lor neincadrandu-se strict in vreun curent anume, pana acolo incat Universal Music (Fontana) i-a abandonat din pricina vanzarilor slabe... Surprinzator, Japonia i-a primit cu bratele deschise, SOS avand un succes nebun atat cu piesa hit mai-sus pomenita, cat si cu o alta ("Now You're Not Here") care a fost desemnata in 1990 cel mai bun single in Japonia, pentru care au primit si o distinctie importanta, un fel de Grammy Award japonez!

Lucrurile le-au mers struna in tara asiatica, au inregistrat o serie de albume unul mai bun decat celalat, la case japoneze de discuri, inclusiv pe noul format SHM-CD, cu toate ca in restul lumii au cam ramas uitati... Participa insa, cu regularitate, la festivalurile de jazz la care sunt invitati.

Mi-am facut timp sa ascult, atat cat am putut, majoritatea productiilor Swing Out Sister si recomand cu placere primele doua albume, albumele din 1997 si din 2001 dar mai ales pe cel din 2008 din discografia lor:

1987: It's Better to Travel
1989: Kaleidoscope World
1992: Get in Touch with Yourself
1994: The Living Return
1997: Shapes and Patterns
1999: Filth and Dreams
2001: Somewhere Deep in the Night
2004: Where Our Love Grows
2008: Beautiful Mess

Mai au si doua albume live (1993 - Live at the Jazz Cafe si 2005 - Live in Tokyo), excelente si acestea, bine interpretate, precum si o serie de compilatii best of si de remixes.

Image

In incheiere, va las in compania albumului de debut "It's Better To Travel":
https://www.youtube.com/watch?v=FbE_QA5qWgQ" onclick="window.open(this.href);return false;

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brighty
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by brighty »

Weekend-ul acesta mi-am facut ceva timp sa iau la cunostinta, mai pe indelete, mai printre picaturi, e drept ca nu in cele mai optime conditii (ma refer la timp suficient, deconectare de mediul inconjurator s.a.) de muzichiile unor formatii progressive rock celebre, despre care fie n-aveam habar, fie uitasem intrucat nu le mai ascultasem de ceva vreme...

Scopul meu a fost mai degraba sa verific ce imi place si ce nu din acest gen, din corifeii lui ilustri. Sigur, probabil ca imi vor sari in cap unul si altul ca nu le-am ascultat albumele cu cea mai mare atentie. Totusi eu zic ca daca nu este dragoste la prima auditie, apoi mai greu sa se infiripe ceva ulterior, oricata ingaduinta as avea!

Sa spun doar, pe scurt, ca mult-laudatii, pe aici, Van Der Graaf Generator m-au lasat rece, Peter Hammill are o voce interesanta doar ca ideile lor muzicale mi se par incalcite, un pic boring. Mi-a placut doar cate ceva din "H To He, Who Am The Only One", in special "House with No Doors" si poate inceputul discului "Pawn Hearts". In rest, plictis general... :cry:

Nici cu alti ovationati nu am avut noroc, ma refer la Gentle Giant care nu m-au atras defel cu armoniile lor vocale in stil medieval, in vreme ce Genesis-ul lui Peter Gabriel imi pare complicat si stufos (pacatuiesc prin a-l lauda pe Phil Collins, care a adus IMHO un strop de melodicitate in piesele lor, dupa plecarea lui Gabriel!)

Mi-a placut insa albumul de debut al trupei lui Robert Fripp (King Crimson), acel "In The Court Of The Crimson King" este belea inca din debutul aspru, cu "21st Century Schyzoid Man", apoi "Lizard", pe care apare, intr-o lunga lucrare, Jon Anderson de la Yes, dar surprinzator ca nu m-a "spart" defel al doilea lor album, laudat de critici, anume "In The Wake of Poseidon", cam boring si asta pentru mine...

Camel insa m-au impresionat, cu cele 4 albume ale lor de referinta din anii '73-'77, tipii au muzica in sange si se vede ca nu degeaba au reprezentat o referinta pentru scena Canteburry a muzicii prog britanice!

Nemtii de la Eloy iarasi m-au atras inca de la primele acorduri ale numeroaselor lor albume de referinta ("Colours" si "Ocean", printre altele), in vreme ce Neu!, Can, Amon Duul II si Magma, vajnici reprezentanti ai Krautrockului, nu mi-au spus mare lucru, decat ca apartineau unor vremuri in care se tragea tare cu drogul, rezultand niste muzici experimentaliste bizare, numai pentru entuziasti.

Iarasi, mi-au placut enorm cei de la Colosseum, Mountain, Ten Years After, Al Di Meola, Joe Zawinul, Weather Report, Mahavishnu Orchestra, Chick Corea... de fapt, cred ca sunt mai atras de jazz-rock fusion decat de prog rock, cu exceptia arhicunoscuta mentionata inclusiv in avatarul meu. Emerson Lake & Palmer, bunicei si ei, despre Pink Floyd doar albumele de referinta, in special "Dark Side...", "Wish You Were Here", "Momentary Lapse..." si "Division Bell", mai putin "The Wall", pe care nu prea il inteleg dar caruia ii simt valoarea. Premiata Forneria Marconi, destul de interesanti, pacat doar ca sunt italieni si parca te astepti, dintr-o clipa in alta, sa "zica" una de San Remo :D ... Foarte buni si Renaissance cu Annie Hasslam!

In general, n-am prea inteles de ce un band prog clasic din cele cotate negativ de mine avea nevoie de un vocalist cu accent exagerat de British, de tobe mult prea bubuite, de instrumente "prafuite" gen saxofon ori melotron si de compozitii complicate, monotone pana la plictiseala, apropiate mai degraba de folk... Yes sunt altceva!... Ruperi de ritm, armonii, instrumente electronice moderne pentru vremea lor, fiecare membru avand partea sa de virtuozitate foarte bine evidentiata in cadrul songului, simti efectiv - la ei, la Floyd, la Tangerine Dream si la altii - muzica viitorului, ca doar asta vrea sa defineasca prog-ul!

Asa ca, exceptie facand cateva nestemate mai-sus pomenite, am trecut, cu arme si bagaje, la jazz si fusion, unde ritmul, melodia, creativitatea, spontaneitatea sunt ceva mai bine imbinate in sistem.

tatatodor
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by tatatodor »

Nefiind consumator mare de Mark Knpofler, albumul TRACKER (2015 ?) m-a surprins in mod placut totusi.
River Towns ..&..Lights of Taormina...momentan puse pe repeat.
Back in the days music was the only drug you needed

spitfire
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by spitfire »

O piesa Depeche Mode faina cu muuuult bass.
https://www.youtube.com/watch?v=d2mQTx0Ahfo" onclick="window.open(this.href);return false;

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johndoe21ro
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Sean Jones - Im*Pro*Vise: Never Before Seen (Mack Avenue 201

Post by johndoe21ro »

Sean Jones - Im*Pro*Vise: Never Before Seen (Mack Avenue 2014)

Image

http://www.amazon.com/im%C2%B7pro%C2%B7 ... 5AZDZG2PHE" onclick="window.open(this.href);return false;

Sean Jones, the former lead trumpeter of the Jazz at Lincoln Center Orchestra, never hides behind anything or anyone when he plays. That being said, it's still worth noting that he's pulled back the curtain on this one, revealing more of himself than in the past. This album—his seventh album in ten years on the Mack Avenue imprint—has no overdubs, no percussive window dressing, no other horns sharing space in the front line, and no guests. It's Jones at his most pure and powerful, delivering, as he himself says, "A reintroduction of who I am."

Jones' range on the trumpet—literally, stylistically, and expressively speaking—is on full display here. His sound can be bright, buttery or bold at different times, or even all at once, and his gaze can move from steely to sweet in a heartbeat. He can marry pure beauty and power like few others ("The Morning After"), and he makes it clear that a post-modern focus and a fondness for the traditions of this music aren't mutually exclusive.

Jones is in strong form right out of the gate, floating like a butterfly and stinging like a bee over Obed Calvaire's excitable drums on "60th & Broadway." The follow-up track—"Dark Times"—has Jones operating in what could best be described as a Terence Blanchard-meets-Ambrose Akinmusire zone. Pianist Orrin Evans' solo is the high point on "Interior Motive," drawing focus by giving it, and the relationship between Evans and Jones is highlighted as "The Morning After" begins. Evans' piano glistens like the rays of the dawning sun, and Jones' wide-eyed horn work further brightens the picture as the latter tune evolves.

Those first four pieces are all about Jones' vision and voice, but the three tunes that follow allow him to clearly tie his horn into the history of the music. "I Don't Give A Damn Blues," an on-the-bandstand creation that stayed around, finds Jones and company working confidently with the language referenced in the title. "Dr. Jekyll," built atop Luques Curtis' driving bass, finds Evans floating around the time during his solo. Jones goes in the opposite direction when he takes control, charging ahead, going for broke, and putting it all on the line. "How High The Moon," the last number in that tradition-connected trilogy of songs, finds the trumpeter taking liberties with the rhythmic cadences of that classic while remaining true and faithful to the melody itself.

The last stretch of the album features calm-yet-vivid balladry ("We'll Meet Under The Stars"); an ebullient, Calvaire-driven winner ("New Journey"); an Evans original that's relatively straight-ahead in its outlook ("Don't Fall Off The L.E.J."); and a touching trumpet-with-piano take on a Stephen Sondheim number that Jones dedicates to his mother ("Not While I'm Around"). Each one shows off a different side of Jones' artistry.

While Jones has touched on some of the moods and musical ideals presented here in the past, he always did so in a more dressed-up fashion. Here, he strips it all away, presenting himself as he truly is. This is the clearest, most direct portrait of Sean Jones, giving a three-hundred-and-sixty degree view of one of the most accomplished trumpeters operating today. (Dan Bilawsky, AllAboutJazz)
Triangle Magellan Concerto 2; AQ Everest; Vitus Audio SS-010 Mk2; AQ Dragon HC; AQ WEL XLR; Chord Qutest w UpTone JS-2; SOtM tX-USBultra & Paul Hynes SR5-12XL; AQ Diamond USB; Gryphon PowerZone; Stillpoints UltraSS; Solid Tech Hybrid

Kostas
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by Kostas »

O interpretare absolut superba, vie, interesanta.
Concertul nr.1 pentru pian si orchestra de L.van Beethoven, dirijor si solist Leonard Bernstein, alaturi de Filarmonica din Viena, in anul de gratie 1970:

https://www.youtube.com/watch?v=EgKjp98fPnw" onclick="window.open(this.href);return false;
"Muzica este un răspuns căruia nu i s-a pus nici o întrebare". - Nichita Stănescu

gabip
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by gabip »

Return to Forever featuring Chick Corea: "Where Have I Known You Before" LP 1974 Plydor, de pe vremea lui, de la Nea Petrica! Un album excelent, tehnica exceptionala, referinta zic eu pentru Jazz Fusion.
JBL 4312 SE, Naim SN 2, Arcam CDS 27, Chord Qutest + Farad Super 3, Yamaha BD A - 1080, Technics SL 1410 MK2, Moon 310 LP

tatatodor
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Re: AUDITII OBISNUITE INTR-O ZI OBISNUITA

Post by tatatodor »

Cargo - colinde, dar cu Kempes voce .Ani frumosi,superbi,la fel ca si linkurile....

https://www.youtube.com/watch?v=CZKk51NIPU8" onclick="window.open(this.href);return false;
https://www.youtube.com/watch?v=zT54CJyuQvg" onclick="window.open(this.href);return false;
https://www.youtube.com/watch?v=sEJdd0VsOng" onclick="window.open(this.href);return false;
Back in the days music was the only drug you needed

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